Showing posts with label Emma Barnes. Show all posts
Showing posts with label Emma Barnes. Show all posts

Wednesday, 16 November 2016

CHLOE'S SECRET PRINCESS CLUB by EMMA BARNES. Review by Penny Dolan


Image result for chloe by emma barnesChloe’s Secret Princess Club may be about three girls who want to become princesses, but at heart, this book is really about the fun of imaginative play and friendship.

With plenty of fantasy books about, one can only be glad to find a story set so clearly within the real world of everyday family situations, and where the young characters have ordinary hopes and childish aspirations.

Also - and a personal response here – I was rather pleased to discover the book was not in a diary format, but presented in fourteen chapters with a few essential lists. The book very much reminded of Beverley Cleary’s Ramona stories, where the focus is all about the central character learning to cope with the smaller bumps of everyday life.

At first, dreamyhead Chloe Higgins keeps her Princess plans to herself. Then, when she sees that the school store-cupboard door is unlocked, she can’t help peeping inside, just in case it is a Portal to Another World and so ends up sticking her bewigged head out of the window, asking for help. Chloe is teased as “Rapunzel” but the incident leads to Chloe and two other girls forming a very Secret Club as they all have a secret wish to become princesses: princesses of the kind and graceful variety, not of the obnoxious, fame-seeking sort. Having had a daughter who loved dressing up, I felt this girlish longing was very well and positively handled within the writing.

After all,it's not an unreasonable wish because Chloe’s mum has definitely told her that “you can be anything you want to be if you believe in it and work hard” - although Mum was talking about Chloe concentrating on Mental Maths at the time!

The author Emma Barnes has created an attractive trio of characters: introducing impulsive, freckle-faced Chloe, shy Aisha, her long-time best friend, and over-achieving Eliza. She demonstrates the complexity of the modern child’s life too. Meeting up after school is not a simple task: during the week, Chloe has after-school swimming and baking, Aisha goes to classes at the mosque, and Eliza has lessons in trumpet, tap-dancing and karate as well as her Friday family supper. The easy culture mix familiar to an urban child of today is a particular strength of Emma Barnes' storytelling.
The three girls do manage to get together for their “Secret Princess Club” after-school meetings and activities in each others houses, where they enjoy creating special rules and secret handshakes as well as writing everything down in their official unicorn notebook, which eventually leads to a serious misunderstanding.

As the chapters progress, the girls try to learn the skills of being princesses, within their available context. Their dance tuition comes via a DVD of ballroom lessons, their beautiful outfits are clothes and scarves from Chloe’s mother’s wardrobe, and their rescuing of lost kittens involves taking a rather elderly cat back up the street to its neighbour. Plans rarely go quite as the girls imagine but although the adults who are around in the background of the story are sometimes upset they are usually kindly, in a busy working way. The Secret Club’s biggest worry is that Chloe’s twin brother, snooping Arthur and his best friend Mikhail will spread their secret back at school.

Although the “Princesses”-  also know as Clorinda, Araminta and Elisabetta - are playing their roles and living their challenges seriously, one senses they know the limits of their game. The book is not about big time riches or fame and most of the dressing-up involved is creative rather than hugely materialistic. The big argument, when it arrives, grows from a visit by Egyptian history experts to the school, and the three girls learning about the “Princess” Cleopatra. Despite the following arguments and anguish (and a lonely bath in asses milk) the three princesses learn more about each others real-life hopes and dreams and the need to be kinder to each other. 

“Most of all we have stuck together and had fun!”

It’s worth noting that the back of this book contains a character-linked personality quiz, a jam tart recipe and suggestions for creating you own clubs, as well as a welcome stress on the fact that a club can be about whatever a child is interested in and not necessarily princesses: a well-made point! I'm wondering if there will be another kind of Chloe Club or a return of the Princesses Club in a further book.

The Secret Princess Club has an appealing real-life charm and offers an amusing and comforting story, whether as a bedtime book for a young reader or shared on the sofa with a grown-up, possibly stirring tales of their own childhood games.

As Chloe’s mother says: “A bit of imagination is a wonderful thing.”
And there is a hamster.
And a frog. 

Image result for chloe by emma barnes
Penny Dolan.
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Thursday, 27 February 2014

WILD THING by EMMA BARNES. Review by Penny Dolan.



 
What’s it like to live with a four year old who thinks she’s a rock star?  Who’s the naughtiest little sister ever? Big sister Kate knows. A PROBLEM!

Emma Barnes has begun what will surely be a memorable new series. Wild Thing – aka Josephine -  is the worst kind of embarrassing, attention-grabbing, self-absorbed loud-mouthed little sister that anyone could have. Kate can just about put up with Wild Thing at home. Kate’s got used to Wild Thing’s messiness, her monkeying-about, the trips to the hospital because she’s pushed something up right up her Wild Thing nose, her favourite Bite-the-Bottom Game and more.


However, when Kate realises that Wild Thing is starting in the reception class at Kate’s school, she knows her life will be a total nightmare. 

Kate is soon dragged into the spotlight by her dreadful little sister’s escapades, when all she wants is a quiet school life - not the kind where Wild Thing causes mayhem at playtimes, refuses to sit down in class, plays air-guitar and sings out rude words whenever she feels like it! Poor Kate secretly longs to create her own identity. Who is she is when she’s not just Wild Thing’s big sister?

Told in Kate’s first person voice, gradually two strands of story emerge and this is what makes the book unique. One strand, of course, is created by Wild Thing’s constant escapades that ruin almost everything for Kate.


The other interesting strand in WILD THING is the family situation, which partly explains why things are as they are, and why Wild Thing is a little indulged.

We soon find out that the girls are looked after by their dad, a charming, guitar-playing late hippy who has given up touring to care for his two daughters. Then we notice that Gran is often around to restore the chaotic house to some kind of calm order and remind Dad about events in the school diary and so on, and then we find out that their mother is dead. So the story, although softly told, is also about a bereaved family struggling to keep “normal life” going.

For me, this second thread is what makes WILD THING – and probably the titles yet to come – much more than a book that gets 8 year-old children laughing because they enjoy reading about rude words and naughtiness. And that's important.

Wild Thing is published by Scholastic.

Review by Penny Dolan




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Thursday, 17 October 2013

JUDITH KERR'S CREATURES - reviewed by Emma Barnes


“Once there was a little girl called Sophie, and she was having tea with her mummy in the kitchen...”

So begins Judith’s Kerr’s classic picture book The Tiger Who Came to Tea. Without ever setting out to learn it, I know the whole text off by heart. I doubt that I’m alone. When I went to see Judith Kerr at this year’s Edinburgh International Book Festival, not only was the huge marquee packed to capacity with fans of all ages, but the Chair, Lindsay Fraser, revealed that when she worked in a bookshop, Kerr’s Tiger was the most stolen book. The reason – small children coming into the bookshop would immediately recognise it, and feel that this familiar and much loved story must belong to them.

Judith Kerr is ninety this year. She is the author of many fantastic and classic children’s books – from Mog the Forgetful Cat and its successors, to lightly fictionalised accounts for older children of her childhood as a refugee from Nazi Germany (When Hitler Stole Pink Rabbit and its sequels).

The Festival session marked the publication of Judith Kerr’s Creatures, a memoir of her life produced in glorious hardbook, packed with illustrations and other artwork. Kerr herself was immensely charming and gently funny, as she read a passage which celebrated her late husband, the television writer Nigel Kneale. It’s a cliché that behind every great man lies a great woman: and it was lovely (and moving) to hear this tribute to a husband who always supported his wife’s gifts, from encouraging her to take her first writing job, at the BBC, to providing vital help with the plot of Mog the Forgetful Cat. “Have her catch a burglar,” he suggested, when Judith said she needed an exciting finale for her book – and the rest is history.

There’s lots of fascinating material in the book, from the tale of how her father, theatre critic Alfred Kerr, was on Hitler’s blacklist, and fled Germany after a tip-off in 1933, to be followed by his family, to Judith Kerr’s experiences in war-time London, to her pioneering approach to her first picture books. (Inspired by Dr Seuss, she aimed to use only a limited vocabulary, and to never to have anything in the text that was already clear from the pictures.)

All of this is accompanied by marvellous images, from family photos, to childhood paintings, to the work she produced as an art student – even her designs for wallpaper.

For anyone interested in writing or illustrating children’s books this book is particularly special – and useful. For it includes the manuscript stories, roughs, and complete spreads for many of Judith’s books. It’s wonderful to see Mog, somehow completely herself, even in an early manuscript squiggle. But it is also a rare chance to actually understand how a picture book is constructed - how this creation of words and images really works.

It’s a wonderful book, one to dip into, treasure and keep close by you on the shelf.

Published by HarperCollinsChildren'sBooks ( 2013)

Review by Emma Barnes
www.emmabarnes.info

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