Caroline Lawrence is well-known for her very successful
series, The Roman Mysteries – and for
her appearances and talks appropriately clad in a toga. But now she’s swapped
the toga for buckskins, because her new series, The Western Mysteries, which features a twelve year-old would be
detective by the name of P K Pinkerton, is set in the American West
Tales about the Wild West have been pretty thin on the
ground lately, with the exception of the occasional film. When I was a child it
was very different. There were masses of series on television – Tenderfoot, Wells Fargo, The Lone Ranger,
Wyatt Earp, Bonanza – there was a serial on Saturdays at the cinema, and
every library devoted a special section to Westerns (along with one to Romance
and another to Mysteries). It was all very clear-cut: the Indians (mostly) were
the baddies and the cowboys (well, some of them) were the heroes.
Then that changed. Films like Soldier Blue came out, and books like Bury My Heart At Wounded Knee . It
became clear that a great wrong had been done to the Indians, and the
simplistic landscape of all those old books and serials plummeted out of
fashion.
But something was lost here. With its extraordinary
characters, its lawlessness and its dramatic setting, the American West
provides a wonderful breeding ground for adventure – and Caroline, herself
American, has, thank goodness, seen its potential and seized on it as the
setting for her new series.
At the beginning of the first book, The Case of the Deadly Desperadoes, Pinky solemnly announces that: ‘My
name is P.K. Pinkerton and before this day is over I will be dead.’ Pinky tells
it like it is. What makes this particularly interesting is that Pinkie doesn’t
see things like other people do: he has a ‘Thorn’. This Thorn – his Problem –
is that people ‘confound’ him. He cannot understand their expressions, and he
doesn’t show emotion himself. For instance, his adventure starts when he finds
his foster mother and father dead, killed and scalped by desperadoes disguised
as Indians. He realises that they are after a document which is almost all he
has left of his real mother.
He catches the stagecoach to nearby Virginia
City – where his adventures really
get going – and meets up with all kinds of colourful characters – including a
young Mark Twain, there as a reporter. But at first, no-one believes his story –
how could he speak in such a cold and matter of fact way about the deaths only that
morning of his foster parents? But they quickly realise he’s telling the truth
when Whittlin Walt, so called because he ‘whittles pieces off his victims while
they are still alive’, appears, with P.K. firmly in his sights. There follows
an action-packed chase, involving Soiled Doves (saloon girls), opium dens,
Celestials (Chinese), and a fabulously cool gambler called Poker Face Jack –
who sees considerable advantages to Pinky’s Thorn.
The whole thing is tremendous fun, and rips along with great
panache. But to my mind the most appealing thing about it is the character
of Pinky: serious, conscientious, brave –
and constantly puzzled by the people he meets. Caroline Lawrence is incredibly
skilful in the way she tells a story which is so funny, so full of variety,
through the lips of a boy who himself has no sense of humour and no ability at
reading faces. I think children will love it.
Published by Orion in 2011
£9.99
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