‘Ellen’s People’ by Dennis Hamley
Reviewed by Pauline Chandler
Most stories inspired by the First World War focus on the
suffering and horror of trench warfare, the sheer number of men killed like
animals sent to slaughter, the injustice and futility of it all. I’m thinking
about Pat Barker’s peerless trilogy, ‘Regeneration’ and Sebastian Faulks’ ‘Birdsong’,
or for young readers, Michael Morpurgo’s ‘War Horse’ and ‘Private Peaceful’.
There’s something riveting about the horrors so graphically described and I’m
sure, if you were to conduct a poll, most people would say that their first
thought when considering that dreadful conflict, is the unimagineable carnage.
But that’s only half of the picture. A whole generation of
young men was lost. What effect did that have on those who were left behind? It’s a rare writer who can go there, to make
us feel, with the utmost compassion, a common bond with people who lived in
times when manners and attitudes were so different. Dennis Hamley does just
this, in this outstanding novel.
In ‘Ellen’s People’, we see the war through the eyes of a
teenage girl, not someone called up to fight, but, poignantly, someone called
to deal with the consequences of the fighting.
Millions died, and millions lived for the rest of their lives,
with the pain of loss, bereavement and grief. Ellen represents not the courage
of the soldiers, but the courage of those who lived on, with an aching burden
of memories. When I started reading ‘Ellen’s People’, Wilfred Owen’s wonderful
sonnet: ‘Anthem for Doomed Youth’, came into my mind, especially the last few
lines, which express this so beautifully.
As Owen does in his poetry, Dennis Hamley writes with a
wider understanding of the war, not only revulsion at what amounted to mass
murder, but also the confusion and grief of those left behind, as their world
is irrevocably changed.
And not only that. Owen, a soldier at the front, could yet
see the effect of the ‘cess of war’ on both allied and enemy forces. Dennis
Hamley also approaches his subject with the same humane tolerance, offering us
a deeper awareness of the effect on soldiers on both sides.
Ellen Wilkins is sixteen when the recruitment officer signs
up her brother, Jack, along with the other young men in the village to go off
to the war. Tempers flare and the village is divided, when the local landowner,
Colonel Cripps, seems to defend the Germans, but Ellen understands what he’s
trying to say, that there are good and bad on both sides, and it would be wrong
to go to war in a spirit of anger, seeking revenge, like butchers rather than
soldiers.
These differences are highlighted in Ellen’s own home, when
her father will not hear of her working for Colonel Cripps, in his eyes a
‘toff’, one of those who prey on the working classes and enslave them in
domestic service. Ellen sees things differently. At the heart of the novel is
her journey of self-discovery, in a male- and class- dominated world, a world
at war. To be true to herself, Ellen has to defy her father and break open all
prejudices. In this she has help from one of the hated ‘toffs’, Colonel Cripps’
daughter, Daphne, who takes her to nurse in France, fulfilling her highest
ambition, and opening yet another unexpected chapter in her life.
‘Ellen’s People’ is a thoroughly satisfying read. The detail
of everyday life in 1914 is fascinating and creates an authentic setting for
Ellen’s story. Each of the characters is well delineated, with their own back stories
and motives, but especially Ellen herself, who is an appealing and ageless
heroine.
‘Ellen’s People’ is out now in an ebook edition (Kindle) ,
soon to be followed by a paperback edition, from Blank Page Press. The book was
previously published in the USA ,
under the title ‘Without Warning’.
Read more about Ellen, in the sequel, ‘Divided Loyalties’, a
story set in WWII, out on September 3rd.
Wilfred Owen - Anthem
for Doomed Youth
Written
between September and October 1917, when Owen was a patient at Craiglockhart War Hospital in Edinburgh, recovering
from shell shock.
The poem was edited by his friend, Siegfried Sassoon.
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them from prayers or bells,
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
Only the monstrous anger of the guns.
Only the stuttering rifles' rapid rattle
Can patter out their hasty orisons.
No mockeries for them from prayers or bells,
Nor any voice of mourning save the choirs,—
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of silent maids,
And each slow dusk a drawing-down of blinds.
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of good-byes.
The pallor of girls' brows shall be their pall;
Their flowers the tenderness of silent maids,
And each slow dusk a drawing-down of blinds.
Pauline Chandler
www.paulinechandler.com
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3 comments:
Just ordered it! I've been wanting to get hold of this book for ages.
It's wonderful. Definitely one to use in school for WWI studies, too. I'm looking forward to getting hold of the sequel.
Pauline, what can say? Thank you so much for this wonderful review. I have to say, though, that I think Divided Loyalties is a better book. And now I'm desperately trying to get the long-delayed completion of the trilogy ready for November and the 25th anniversary of the fall of the Berlin Wall. Ann, I hope you enjoy it!
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