The Lion of Sole
Bay by Julia Jones
Reviewed by Dennis Hamley
The Lion of Sole Bay is most suited for the 11 -16
age group. Its plot is sophisticated and the language level is fairly high. The
prose is lucid and concrete but makes few concessions to less confident
readers. Julia Jones's Strong Winds trilogy, with its acknowledged debt to and echoes of Arthur Ransome translates into a tale set in a relentlessly and realistically troubled modern world.
The trilogy stands as a remarkable achievement and a speaking example of how the world of independent publishing is becoming as potent a force as the now ailing image of traditional commercial publishing.
Is The Lion
of Sole Bay a continuation of the Strong
Winds trilogy? I don’t think so.
Luke, the main character, was a minor player in those stories and the
new main characters only inhabit this imaginative world, although their issues
with adults are as urgent and desperate as anything depicted in the earlier
books. This novel has a tighter
structure altogether than the free-ranging trilogy. The issues raised are
subtler and more complex - and more terrifying as well. The characters are
drawn with unsentimental accuracy and some ugly depths are plumbed of a sort
which never appeared in Strong Winds,
outspoken though that was – including the attempted wholesale drugging of
everybody coming to a party, which may sound funny but certainly isn’t!
This is
an ambitious novel in a way different from – and an advance on - its
predecessors. Luke is hoping for a week with his father in his
boat Lowestoft Lass. He's thwarted by
an injury to his father in which the hyperactive Angel is involved in a way
which, at first, Luke completely misinterprets, thus setting off the first of
many important flashpoints. Meanwhile
Helen is desperate to get home to Holland but is trapped on board the Drie Vrouwen with Hendrike, her
drug-fuelled mother, and Elsevier, the Kapitein, the fanatical friend who
controls her. These two women are dangerous and frightening. The
nerve-shredding climax involves all the young people trapped in the
out-of-control Drie Vrouwen at the
mercy of a wild sea and two seriously disturbed and incompetent adults.
What binds all these elements together, besides
the waning moon, Hallowe'en and Julia Jones’s understanding and love of boats
and the sea? The Lion of the title
was once the figurehead of the Stavoreen,
a 48-gun ship of the Dutch navy, but now used as a pub sign. It is both a
memorial of a seventeenth century naval battle between the English and the
Dutch and a potent national symbol which Elsevier believes has to be recovered
to further her delusional dreams of power.
This is an extraordinary mix which
at first sight looks almost impossible to handle as a coherent plot. But Jones
succeeds magnificently. The plot lines are sharp; the writing, especially in
the tense, dangerous climax, is taut and economical: the tension is almost
unbearable. And, not as bits stuck on but essential to the novel's structure,
there's even a mad old man in the woods who must be homage to Arthur Ransome's
Old Peter, he of the Russian Tales, and a series of lectures on the 1672 Battle
of Sole Bay by a character so keen to deliver them that he'll use the garden
gnomes as an audience. Terrific book. I
loved every word.
The Lion of Sole
Bay by Julia Jones
Published by Golden Duck: £7.99
ISBN 978 1 899262 18 2
Also available on Kindle:
£3.99
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