Thirteen year old Bobby
Parish is faced with a choice, to follow his family and community’s wishes that
he kill the baby seal in front of him, or to disappoint them and to follow his
conscience and let the seal live. Set in
an Irish fishing village when a ‘plague’ of seals is breaking nets and eating
the fish on which the people’s livelihood depends, Bobby’s dilemma is real and
urgent, and resonant for all of us facing situations in which right and wrong
are not clear to see. I’m not going to
give the story away, but I will say that the end of the book made me cry … in a
good way.
Eoin Colfer has written
this story in bite-sized chapters, but his writing is in no way compromised in
order to fit the Barrington Stoke brief of writing for eight to twelve year
olds who struggle with reading. Swearing
is there, as in real life, and challenging vocabulary is also there (‘quay’, ‘rapport’,
‘telepathic’, ‘effluent’, for example), but supported by clear context. Supported too by the design of the book.
Chunky and handsome,
this book feels and looks special. The
good quality (slightly grey rather than the usual Barrington Stoke cream) paper
is nicely heavy to hold, and the cover is trimmed with shiny gold. Victor Ambrus’s illustrations are in full
colour throughout, and we’re treated to full colour endpapers that set the fishing
village scene before the story even starts.
The whole production is generous, giving plenty of space for the text to
be set out clearly, and use is made of page turns to dramatic purpose in the
way more commonly seen in picture books.
I loved Hester Burton’s
historical novels illustrated by Victor Ambrus when I was a child, and my heart
flipped when I recognised his style on this book’s cover. It’s so good to see him illustrating still,
and at his very best, into his eighties.
This book is one of
Barrington Stoke’s new Conkers imprint, bringing top storytellers and
illustrators together to create high quality and very readable books. I look forward to seeing and reading more of
them!
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