The Girl Who Drank The Moon, by Kelly Barnhill, reviewed by Sarah Hammond

I intended to review another book for my post today, but once I read the first pages of The Girl Who Drank The Moon, I was side-tracked. Perhaps entranced. 

This fast paced, middle grade fantasy deftly weaves together multiple storylines as a girl brimful of moonlight and magic, an ailing witch, a scar-faced carpenter, a swamp monster poet, a madwoman and a tiny dragon are pit against a magician who cultivates and feeds on sorrow. By the time I finished reading, I felt as if I, too, had swallowed a little starlight. 

Each year, in order to appease the Witch, the youngest baby in the Protectorate is left for her in the forest by the Elders. ‘Sacrifice one or sacrifice all’ say the sorrowful people. Or so they have been led to believe. In fact, the Elders encourage this practice to keep their people frightened, sad and compliant. Yet, this, we learn, is not the full story either. For there is a Witch in the woods, but she is perplexed by the annual baby-leaving rituals. Xan is kind and chooses not to judge. Rather, she takes the abandoned babies and gives them to caring families on the other side of the forest, sustaining them en route with starlight. 

One day, however, Xan makes a mistake. Instead of feeding the latest baby starlight, she feeds her moonlight. “There is magic in starlight, of course. This is well known. Moonlight, however. That is a different story. Moonlight is magic. Ask anyone you know.” 

Xan calls the 'enmagicked' baby Luna, decides to keep her and become her grandmother. Yet as Luna approaches her thirteenth birthday, when her magic will flow fully, other forces are at work. A carpenter enters the forest to hunt the Witch and stop the sacrifices. Luna’s mother, driven mad with grief, escapes to find her daughter. Xan goes to rescue the latest abandoned child. Her friends, the swamp monster and tiny dragon, follow Xan, worried about her deteriorating health. Fast-moving to the end, sorrow is defeated and love triumphs.

At one level, this is a gripping story with well-developed, memorable characters. Traditional fairytale motifs are woven inventively into the plot. Yet at another level, the poetic language, the hopeful and wise themes threading through the story hint at something deeper. Madness unlocks a way of discovering nuggets of magic in the world. One generation fills the next with magic as their own gently dwindles. Beyond death, there is nothing to fear. Beyond magic, there exists a oneness from the beginning of the world.

The Girl Who Drank The Moon won the Newbery Medal, 2017.

www.sarahhammond.org

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Second time around, but worth it! ...by Adèle Geras

This review was posted a while ago on another website to which I contribute, together with Linda Newbery and Celia Rees. It's Writers Review and you can follow it on Twitter @writersreview1 

I felt that this book was so unusual that it deserved to be brought to everyone's attention more than once. It's a picture book for adults, and as such quite a rare beast. I am also putting up this review again because I reckon it's the perfect Christmas present for a FAMILY: the kind of family where generations come together to enjoy sharing a beautiful thing. I also think any classroom would benefit from having a copy on its shelves. There's so much to look at, pore over, enjoy again and again.

It might LOOK expensive at £25.00 but just consider  the other things you might buy at such a sum....and the answer is: not very much at all and nothing I can think of which will give such pleasure nor last as long.  Keats said it best: A thing of beauty is a joy for ever. 

Here's the review! And hope it's not too early to wish everyone a very  Merry Christmas and lots of good things in 2017.

Adèle 

I came home one day from a trip to London to find a huge parcel waiting for me. It was this book: THE QUIET MUSIC OF GENTLY FALLING SNOW, written and illustrated by Jackie Morris,  the very well known artist and writer of many wondrous books for children. The volume  measures 37cms by 28cms. It's a   a picture book for adults and I believe it would be good if there were more of these published, because we don't stop appreciating beauty when we leave our childhood behind.  It's published by  Welsh publisher,  Graffeg, and they've done Morris proud. It costs £25 which seems to me to be excellent value. 

The book has an  usual genesis. Since the year 2000, a charity called HELP FOR MUSICIANS UK has commissioned Jackie Morris to create a Christmas card for them. All of the cards are reproduced at the back of the book. This book knits and crafts those cards together into a single volume made up of many stories, weaving their threads (a favourite word of Morris's) into a beautiful tale (or tales)  of loss and love and music. Because of the origin of the cards, the stories are about music; its creation, its destruction; its fragilities and strengths. Morris's love of music comes over in every story and there's a sort of counterpoint that runs through them.  

Morris has added pictures as well as stories. The creatures who inhabit these tales are ones we know she loves from her other books: bears, swans, hares and birds. The ingredients of fairy tales (towers, snow, forests, ships, trees) fill the narrative, skilfully woven into something singular and strange. Reading the book is very much like listening to different songs, different tunes drifting into your consciousness.They're described as lullabies for grown ups and that's very accurate. The narratives are loose and flowing. The characters appear and reappear and disappear and the animals change and become creatures different from the ones we first thought we'd met. The rhythm of the prose sets out to lull the reader and succeeds in doing exactly this. 

The instruments, depicted many times in the wonderful paintings on every page, are fiddles, flutes, lutes and drums. Anyone interested in identifying them can spend many happy hours looking at each double page spread and seeing what can be found in each one. 

The pear tree in the  'partridge in a pear tree' illustration is also the Singing Ringing Tree which goes on to create forests which it takes seven weeks to walk through. That seven is of course another link with the world of the fairy tales.

This book would make a most beautiful Christmas present for any adult who enjoys fairytales, music, and above all, rich and gloriously coloured illustrations which depict people, creatures and places which are buried in our imagination and which, thanks to Morris, we can pretend are real.  She has moved the fantastical from the realm of our dreams and into the light of our real world.

VISIT:  helpmusicians.org.uk 

Hardback published by GRAFFEG

£25

ISBN: 9781910862650

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